Five restaurants, three days:

A shared table at Poly, Sydney, photographed from above with hands reaching in

In May, OpenTable asked me to photograph five Sydney restaurants for its Icons series. Poly on the Wednesday. Fratelli Paradiso and 10 William Street on the Thursday. Porcine and Ester on the Friday. Around two hours in each room, and from each set OpenTable chose five hero images.

Same brief, five different rooms

On paper the brief was the same for every venue: OpenTable's Icon guidelines, the room, the food, the feeling of sitting down. In practice it was five different jobs, because no two of these places are selling the same thing.

The dining room at Poly, Sydney A plated dish at Poly on a dark background

Poly is a place for sharing, so I shot it as one. The hero frame is the whole table from above, hands reaching in, plates mid-conversation. The single dishes went onto dark ground so the colour carries them.

White tablecloths in the dining room at Fratelli Paradiso, Sydney Zucchini flowers on a white plate at Fratelli Paradiso Pasta for two from above at Fratelli Paradiso

Fratelli Paradiso is white tablecloths and chalkboards, a room that doesn't need explaining. The plates got the same treatment as the linen: clean, bright, nothing in the way of the zucchini flowers.

10 William Street wine bar, Sydney, looking out to the street A martini on the bar at 10 William Street The pretzel at 10 William Street on a burl timber table

10 William Street is a small wine bar with the list written on the wall. That is the story, so the room looks out to the street and the martini sits on the bar in front of the bottles.

The heritage dining room at Porcine, Sydney, with its fireplace Terrine on vintage china at Porcine A table set against the red banquette at Porcine

Porcine is heritage: a fireplace, red banquettes, terrine on old china. The frames stay warm and let the age of the room show.

The arched dining room and wine wall at Ester, Sydney A wood-fired dish at Ester A shared table at Ester from above

Ester is built around its wood-fired kitchen. The arches, the wine wall and the char on the food all point the same way, so the frames do too.

What actually changes

Moving between rooms that fast, the camera barely changes. The reading does. Every venue is selling something specific, and it is rarely just what is on the menu. Sometimes it is the room. Sometimes it is the ritual of a shared table. Sometimes it is a place that has been exactly itself for a long time. The job is to find that early and shoot to it for the rest of the session.

Lighting a plate is the easy part. Making five frames that could only belong to one restaurant is the work.

Planning something similar?

If you run a restaurant, a bar or a hospitality group in Sydney and need restaurant photography that looks the way the place feels, send me a line about the venue and what's coming up: dominic@dominicloneragan.com

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